2018 Foreningen for Samtidskunt, EC124H, København
As the performance developed, several members of the audience were involved in imaginary dances. The audience feelings, the atmosphere in the room, the far future and dramaturgical analysis were all part of the score. One person was even scripted to fall in love with the performer.
This work is yet another investigation of performance conventions, where the role of the choreographer in relation to the audience is examined and questioned.